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Dienstag, 13 September 2016 13:42

5 Foto-Formeln auf dem Prüfstand

5 Foto-Formeln auf dem Prüfstand

"Sonne lacht, Blende 8!" hat sicherlich jeder schon mal gehört. Fakt ist aber, die meisten dieser und ähnlicher Regeln stammen aus einer Zeit, in der Kameras noch nicht automatisch belichten konnten und man noch einen Film einlegen musste. Es stellt sich also die Frage: wie sehr sollte man sich daran halten? Macht das noch Sinn?

 

 

 

Regel 1 - Der Klassiker: Sonne lacht, Blende 8!

Das kennt jeder, der schon mal eine Kamera in der Hand hatte. Dummerweise beißt sich das mit diversen anderen Weisheiten, angefangen von: „Für Mensch und Tier nimm Blende vier.“, "Blende auf drei – der Hintergrund ist Brei." bis hin zu "Ist selbst Blende 2 zu knapp, nimm einfach den Deckel ab."

Anwendbar: Jein! Diese Regel beschreibt einen Sachverhalt, der so dermaßen allgemein ist, dass man kaum sagen kann, ob es Sinn macht sie zu befolgen. Grundsätzlich ist an sonnigen Tagen nichts zu sagen gegen Blende 8. Man schränkt sich aber kreativ sehr ein, wenn man sich stoisch daran hält. Während Landschaftsfotos meist noch gut gelingen sollten, stößt man bei Bildern mit Portraitcharakter unter Umständen schnell ans gestalterische Limit. Beispielsweise hält sich der Freistellungseffekt mit Blende 8 stark in Grenzen (bis hin zu ist nicht existent), wenn nicht gerade ein riesiger Abstand zwischen Model und Hintergrund besteht.

 

Regel 2 - Sunny Sixteen: Belichtungszeit = 1 / ISO bei Blende f/16

Oder in Worten: an einem sonnigen Tag, stell die Blende auf f/16 und belichte so lange wie der Kehrwert der eingestellten ISO Empfindlichkeit (also z.B. 1/400 s bei ISO400). Erscheint diese Regel auf den ersten Blick ähnlich allgemein wie die erste, so existieren hier immerhin noch diverse Verfeinerungen (f/22 bei Schnee/Sand, f/11 für leichte Bewölkung, f/8 für normale Bewölkung, f/5.6 für starke Bewölkung, f/4 für Sonnenauf-/untergänge).

Anwendbarkeit: Nein. Diese Regel stammt aus einer Zeit, in der der ISO Wert durch den eingelegten Film fest vorgegeben war .Heute kann man wesentlich flexibler auf die herrschenden Lichtverhältnisse reagieren. Außerdem liegt f/16 bei vielen Objektiven bereits hinter dem sog. "sweet spot" (die Blende, mit der das Objektiv die schärfsten Resultate erzielt). Das heißt, die stark geschlossene Blende verursacht bereits wieder Beugungsunschärfen und somit generell unschärfere Bilder als eigentlich möglich. Nicht zuletzt schränkt man sich hier ähnlich stark kreativ ein wie bei Regel 1.

 

Regel 3 - Looney Eleven: Belichtungszeit = 1 / ISO bei Blende f/11

Diese Regel ist das Äquivalent zu Regel 2, nur das Szenario ist ein anderes, nämlich die Mondfotografie. Auch diese Regel ist sehr allgemein, was aber nicht ganz so schlimm ist, denn die Situation ist auch deutlich eingeschränkter. Wenn man den Mond fotografiert, hat man fast immer viel schwarz und einen helleren Punkt im Bild (es sei denn man trickst mit den Double Exposure Features von modernen Kameras). Wenn man nicht gerade ein Teleskop zur Verfügung hat, ist dieser helle Punkt auch nie übermäßig groß. 

Anwendbarkeit: Ja! Diese Regel wird zwar nicht unbedingt beim ersten Versuch ein korrekt belichtetes Bild hervorbringen, bietet aber einen ausgezeichneten Startpunkt für Belichtungsanpassungen. Man liegt selten komplett daneben. Praxis-Pro-Tipp am Rande: Displayhelligkeit so gering wie möglich einstellen, während man den Mond fotografiert. Die Augen haben sich irgendwann an die Dunkelheit gewöhnt und es besteht die Gefahr, dass man mit einem zu hell eingestellten Display alles als Überbelichtung interpretiert. Aber am besten sowieso immer in RAW fotografieren, da kann man dann hinterher noch fast alles regeln. 

 

Regel 4 - Belichtungszeit bei "Mitziehern": 1 / Geschwindigkeit des Subjekts in km/h

Sogenannte Mitzieher sind Fotos, bei denen die Kamera während der Belichtung einem sich bewegenden Subjekt folgt. Mit etwas Übung bleibt so das Subjekt scharf, aber der Hintergrund verwischt. Auf diese Art und Weise entstandene Bilder vermitteln gut den Eindruck von Bewegung, Dynamik und Geschwindigkeit. Es stellt sich in diesem Fall aber die Frage: wie lange muss man für einen Möglichst guten Effekt belichten? Eine zu kurze Belichtung reicht nicht aus um das gewünschte Gefühl zu vermitteln. Eine zu lange Belichtung kann die Umgebung des Subjektes komplett unkenntlich machen und führt sehr wahrscheinlich auch beim Subjekt selbst zu einer verwackelten Darstellung. Eine Antwort gibt diese Mitzieher-Regel. Beispielhaft: Fotografiere den Rennradfahrer, der mit 40km/h fährt 1/40 Sekunde lang und den Sportwagen auf der Rennstrecke, der mit 250 Sachen an dir vorbeirauscht, mit 1/250 Sekunde.

Anwendbarkeit: Jein! Natürlich kommt es auch auf die Brennweite und den Abstand zum Motiv an, aber sobald das Subjekt das Bild einigermaßen gut ausfüllt, kann man sagen: diese Regel produziert brauchbare Ergebnisse. Beispielhaft zeigt das folgende Bild ein Foto, das ich mal auf einer Hochzeit geschossen habe. Die Belichtungszeit war 1/40 Sekunde und wir waren vielleicht etwas schneller unterwegs, maximal aber 50 km/h.

 

Regel 5 - Maximale Belichtungszeit bei Astrofotografie (die "600er Regel"): 600 / (Brennweite * Cropfaktor)

Diese Regel läuft einem auch häufiger als 500er Regel über den Weg, was aber deren Inhalt nicht extreeem verfälscht. Möchte man den Sternenhimmel fotografieren, "verwischen" die einzelnen Sterne aufgrund der Erdrotation während einer Langzeitbelichtung. Die verwendete Brennweite hat einen maßgeblichen Einfluss darauf, wie schnell das passiert (übrigens auch die Auflösung des Kamera Sensors, aber wir wollen es an dieser Stelle nicht unnötig kompliziert machen). Möchte man diesen Verwischungseffekt nicht haben, sollte man nicht länger belichten, als diese Regel vorgibt. Beispiel 24mm Objektiv an einer APS-C Kamera: 600 / (24*1,6) = 15,6 Sekunden. Belichtet man länger, ziehen die Sterne Spuren im Bild (was manchmal natürlich aber auch erwünscht sein kann). 

Anwendbarkeit: Ja! Das kommt in etwa hin. Wenn man nicht gerade mit einer 150 MP Kamera Bilder macht, die hinterher auf Hauswände tapeziert werden sollen, funktioniert diese Regel ziemlich gut. Das folgende Bild zeigt ein zugegebenermaßen etwas extremeres Beispiel. Verwendet wurde ein 8mm Fisheye an der Canon EOS 7D. Das heißt: 600 / (8 * 1,6) = max. 46,8 Sekunden. Das Bild wurde aber "nur" 30 Sekunden belichtet. Es hätte also noch etwas zeitlichen Puffer gegeben. Dafür gibt's aber auch absolut keine Anzeichen von Verwischungen.

 

Fazit:

Nicht alle Weisheiten aus analogen Tagen machen heute noch Sinn, aber erstaunlich viele. Gerade die Mitzieher- und die 600er Regel haben durch den technischen Fortschritt nichts an Gültigkeit eingebüßt und es kann sich lohnen, sie im Hinterkopf zu behalten.

P.S.: Widersprüche oder Ergänzungen gerne in die Kommentare!

 

 


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19731 Kommentare

  • Kommentar-Link RobertTenry Mittwoch, 09 April 2025 02:45 gepostet von RobertTenry

    Look of the Week: Naomi Watts is twinning with her canine co-star
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    What’s white and black and red all over? Naomi Watts and her 145lb co-star, Bing, a Great Dane, taking a dog walk on the crimson carpet for the New York premiere of “The Friend.”

    Directed by Scott Mcgehee and adapted from Sigrid Nunez’s 2018 novel of the same name, the film — set to release in US theaters on March 28 and in the UK on April 25 — follows a solitary writer and teacher named Iris whose life is upended after a close friend bequeaths his giant pet dog to her following his death.

    In front of the cameras Monday evening, the “Mulholland Drive” actor and Bing looked like they were cut from the same cloth — both in temperament and in their matching black polka dots. Watts was dressed in a white gown with fur-tufted spots that bore a striking resemblance to Bing’s own coat, but the Cruella de Vil comparisons ended there. Instead, Watts and Bing were captured in the throes of lots of paw-shakes, puppy kisses and head scratches.
    The dress that Watts wore, titled the “Domino” and designed by Jacquemus, debuted during the Spring-Summer 2025 Paris couture shows in January. The look was both elegant and offbeat, with a high-cowl neck and open-back, asymmetrical waistline that mimicked a French tuck. It was styled with a skirt that sprouted furry black polka dots, which close up were unnervingly reminiscent of body hair. But from afar they gave the impression of soft-edged dabs of watercolor bleeding downstream.

    The look was styled by Jeanann Williams, who has also been working with “The White Lotus” star Leslie Bibb. Williams’ decision to coordinate Watts with Bing was a new take on method dressing — the thematic styling trend that has dominated celebrity red carpets since Greta Gerwig’s “Barbie” in 2023. Since then, the sartorial trope, which connects actors to their on-screen characters through clothes, has become somewhat tired — with some observers claiming that the 7-month-long “Wicked” press tour, in which Cynthia Erivo and Ariana Grande became prisoners to the colors green and pink, was peak saturation.

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  • Kommentar-Link ByronCew Mittwoch, 09 April 2025 01:00 gepostet von ByronCew

    Critics say this power imbalance is clear in the 2016 contract Guyana signed with Exxon. Under the agreement, Exxon keeps 75% of everything it makes from its oil operations in Guyana, with the remaining 25% shared equally between the company and the government, which also takes a 2% royalty.
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    “It was a bad deal,” Ali said in the BBC interview, but he has rejected the idea of unilaterally changing the agreement, which was signed by the previous government. He says the next contract with Exxon will be on different terms.

    An Exxon spokesperson said the contract is “globally competitive for countries at a similar stage of exploration” and said Guyana is averaging $1 billion a year in “oil profits.”

    Exxon has also faced a number of lawsuits over its potential environmental impact, many filed by Melinda Janki, a Guyanese international lawyer, who drafted the country’s Environmental Protection Act back in the 1990s.

    A big victory for Guyana’s people and environment came in 2023, when the court ruled Exxon should have unlimited liability for the costs of any oil spill. Exxon has since appealed the ruling and has posted a $2 billion guarantee while it awaits the appeal outcome.
    Exxon said this commitment supplements “its robust balance sheets … and the insurance policies they already had in place.” Janki says this isn’t enough. Offshore oil spills can be extremely expensive to deal with, the 2010 Deepwater Horizon spill cost nearly $70 billion to clean up.

    The push and pull between those who say oil offers Guyana a brighter future and those who fear the industry’s impact will continue.

    Exxon said it’s had a positive impact on the country, including employing more than 6,200 people, investing more than $2 billion with local Guyanese businesses since 2015 and spending more than $43 million on community projects.

  • Kommentar-Link WilliamFoeno Dienstag, 08 April 2025 19:53 gepostet von WilliamFoeno

    “You have a government that is reckless about what is going to happen to Guyana,” said Melinda Janki, an international lawyer in Guyana who is handling several lawsuits against Exxon. It’s pursuing “a supposed course of development that is actually backward and destructive,” she told CNN.
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    And while plenty of Guyanese people welcome the new oil industry, some say Guyana’s startling economic statistics do not reflect a real-world prosperity for ordinary people, many of whom are struggling with the higher prices accompanying the oil boom. Inflation rose 6.6% in 2023, with prices of some foods shooting up much more rapidly.

    “Since the oil extraction began in Guyana, we have noticed that our cost of living has gone sky high,” said Wintress White, of Red Thread, a non-profit that focuses on improving living conditions for Guyanese women. “The money is not trickling down to the masses,” she told CNN.

    CNN contacted President Ali, the Ministry of Natural Resources and the Ministry of Finance for comment but received no response.
    Guyana, a former Dutch then British colony which gained independence in 1966, is one of only a handful of countries that is a “carbon sink,” meaning it stores more planet-heating pollution than it produces. This is due to its vast rainforest; trees remove carbon dioxide from the atmosphere as they grow.

    The country has protected its biodiversity where others have destroyed theirs, President Ali said in a BBC interview last year. In 2009, the country signed an agreement with Norway, which promised Guyana more than $250 million to preserve its 18.5 million hectares, or nearly 46 million acres, of forests.

    Ali insists the country can balance climate leadership and fossil fuel exploitation. The new oil wealth will allow Guayana to develop, including building climate adaptations such as sea walls, he has said. He has also pointed to the continued failures of wealthy countries, already grown rich on their own fossil fuels, to help poorer countries with climate finance.

    But there are concerns Guyana could fall victim to the “resource curse,” in which vast, new wealth ?can actually make life worse for those who live there.

  • Kommentar-Link AllanTen Dienstag, 08 April 2025 18:48 gepostet von AllanTen

    A tiny rainforest country is growing into a petrostate. A US oil company could reap the biggest rewards
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    Guyana’s destiny changed in 2015. US fossil fuel giant Exxon discovered nearly 11 billion barrels of oil in the deep water off the coast of this tiny, rainforested country.

    It was one of the most spectacular oil discoveries of recent decades. By 2019, Exxon and its partners, US oil company Hess and China-headquartered CNOOC, had started producing the fossil fuel.? They now pump around 650,000 barrels of oil a day, with plans to more than double this to 1.3 million by 2027.

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    This country — sandwiched between Brazil, Venezuela and Suriname — has been hailed as a climate champion for the lush, well-preserved forests that carpet nearly 90% of its land. It is on the path to becoming a petrostate at the same time as the impacts of the fossil fuel-driven climate crisis escalate.

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    Since Exxon’s transformative discovery, Guyana’s government has tightly embraced oil as a route to prosperity. In December 2019, then-President David Granger said in a speech, “petroleum resources will be utilized to provide the good life for all … Every Guyanese will benefit.”

    It’s a narrative that has continued under current President Mohamed Irfaan Ali, who says new oil wealth will allow Guyana to develop better infrastructure, healthcare and climate adaptation.

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    The voice of ‘White Lotus’ star Walton Goggins is the lullaby we didn’t know we needed
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    On a show famous for reinventing itself, the same has been asked of the actor, who says that playing the ever-shifting character has been a welcome challenge and, like “White Lotus” itself, full of twists.

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    But when he was contacted by creator Mike White about appearing in Season 2, Gries realized he would have to adjust his framing of Greg, despite having previously imagined a “comprehensive history” for him on his own.

    “(White) said, ‘I’m writing it right now, and I’m writing you, and I just need to know here and now: If you’re in, I’ll continue writing. If not, I’ll stop,’” Gries recalled.

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